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<channel>
	<title>Iván Gaete</title>
	<link>https://ivangaete.net</link>
	<description>Iván Gaete</description>
	<pubDate>Wed, 16 Jul 2025 11:38:35 +0000</pubDate>
	<generator>https://ivangaete.net</generator>
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	<item>
		<title>Suprema Cuarentena Kaleidoscope</title>
				
		<link>https://ivangaete.net/Suprema-Cuarentena-Kaleidoscope</link>

		<pubDate>Thu, 06 Feb 2020 03:14:00 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/Suprema-Cuarentena-Kaleidoscope</guid>

		<description>


	
	


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	<item>
		<title>Bronxmatic</title>
				
		<link>https://ivangaete.net/Bronxmatic</link>

		<pubDate>Thu, 24 Jun 2021 14:49:38 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/Bronxmatic</guid>

		<description>


	Bronxmatic
2019
Chashama Space to ConnectFordham Plaza
In partnership with the Department of Transportation of&#38;nbsp; New York

Metro North to Fordham

	&#60;img width="648" height="864" width_o="648" height_o="864" data-src="https://freight.cargo.site/t/original/i/045d35ca6923cb61530301648823a3582a26e81f3d765b3d2360544814b3ebe2/Fordham-Plaza-Metron-North---Bronxmatic-2019-d-web.jpg" data-mid="112241870" border="0"  src="https://freight.cargo.site/w/648/i/045d35ca6923cb61530301648823a3582a26e81f3d765b3d2360544814b3ebe2/Fordham-Plaza-Metron-North---Bronxmatic-2019-d-web.jpg" /&#62;

	&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d2952f31b3567d2748eba1a6dc4032e04bd1de640ed584a757d1c2c078f8e71f/Bronxmatic-2019-a.JPG" data-mid="112241866" border="0"  src="https://freight.cargo.site/w/1000/i/d2952f31b3567d2748eba1a6dc4032e04bd1de640ed584a757d1c2c078f8e71f/Bronxmatic-2019-a.JPG" /&#62;
	

	
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	cut post-it notespatterns, ephemeral, accessibility, public spaces

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	<item>
		<title>Unwoven</title>
				
		<link>https://ivangaete.net/Unwoven</link>

		<pubDate>Thu, 24 Jun 2021 02:30:41 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/Unwoven</guid>

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	Unwoven (NYT)
2019

Smack Mellon
Brooklyn, NYAs part of ‘I Come To This Place’ curated by Eva Mayhabal July - Aug 2019Three months of The New York Times cut and manipulated into four sculptures as one installation.

The journey of the newspaper is traced in this configuration, from its printed word, to shredded strips, and finally pulped newspaper rocks. 
The work explores the transfer of matter, both physical and conceptual, from his treatment of material, form, and play on words. It considers the different ways in which news media is transmitted and consumed.
The rocks represent unreadable stories, and the headlines lose their context inviting new ownership when the viewer reads them out loud.

	&#60;img width="2700" height="2061" width_o="2700" height_o="2061" data-src="https://freight.cargo.site/t/original/i/0dbd89b8b5be308046be2c0e49b9b0eaebe975d92755f5217be0be1e8e237717/Smack-Mellon---Unwoven-2019---0.jpg" data-mid="112196746" border="0"  src="https://freight.cargo.site/w/1000/i/0dbd89b8b5be308046be2c0e49b9b0eaebe975d92755f5217be0be1e8e237717/Smack-Mellon---Unwoven-2019---0.jpg" /&#62;newspapers, sumi ink, baby powder, fishing net, staples dimensions variable



	

					
				
			
		
	


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	<item>
		<title>Uprising</title>
				
		<link>https://ivangaete.net/Uprising</link>

		<pubDate>Thu, 24 Jun 2021 16:37:54 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/Uprising</guid>

		<description>


	Uprising 2018
Bronx River Art Center (BRAC)New YorkTitled in homage to Bob Marley’s final album of the same name, “Uprising” is a site-specific installation paying tribute to Pan-Africanism and the power of resistance. 
The vertical lines evoke the bars of a prison cell and represent incarceration, both physical and mental. They are also a commentary on the racial and ethnic disparity in US State prisons.
 The non-vertical lines are attempts at breaking the monotony of the upright structure. Like musical notes on a staff or words on a ruled journal, their presence endows the bars with new meanings. 
Ultimately, the install is an invite to ponder the language of rebellion and the beauty of its assertion.


	
&#60;img width="1239" height="1500" width_o="1239" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c3ab56e0b7ca80a771211a8ca2bba8f7166eef07972a8b8f10976ec99e290ac0/Uprising-web-00.JPG" data-mid="112266390" border="0"  src="https://freight.cargo.site/w/1000/i/c3ab56e0b7ca80a771211a8ca2bba8f7166eef07972a8b8f10976ec99e290ac0/Uprising-web-00.JPG" /&#62;



	

	
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&#60;img width="600" height="800" width_o="600" height_o="800" data-src="https://freight.cargo.site/t/original/i/eb1d0c41388ff567d5af0b4845f5460bf52c753632aff873c18b2de324cb7ec7/Uprising-web-04.jpg" data-mid="112266392" border="0"  src="https://freight.cargo.site/w/600/i/eb1d0c41388ff567d5af0b4845f5460bf52c753632aff873c18b2de324cb7ec7/Uprising-web-04.jpg" /&#62;


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	<item>
		<title>Muddy Waters</title>
				
		<link>https://ivangaete.net/Muddy-Waters</link>

		<pubDate>Thu, 24 Jun 2021 05:19:24 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/Muddy-Waters</guid>

		<description>

	Muddy Waters 
2017


A body of work developed at Denniston Hill that&#38;nbsp; is part documentation and part installation; a metaphor for the current political stage at large, a call to the wild. 
 Reflecting on the physical beauty of the Catskills and the exchanges the artist had with local residents, the installation is a survey of sorts that imagines alternative ways of thinking about the natural environment. 

Aligning himself with the social renewal envisaged by philosopher and social reformer Rudolf Steiner and social sculptor Joseph Beuys, Gaete explored his inner capacity to make sense and connected deeply with place and community in this new body of work.&#38;nbsp;

The community ––local residents and others– was invited to activate some of the works installed through a series of collective actions that use drawing and sound as forms of recording. The purpose was to resonate and expand the ideas presented in the show.&#38;nbsp;

The work was produced during a month residence sponsored by a partnership between Denniston Hill and The Laundromat Project.


	&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/b59c0e890f2aef51d4ad69bbb6bf6458746d8f3ecee2dfbde4a6f961d3b5b71d/Denniston-Hill---Muddy-Waters---overview-2a.jpg" data-mid="112400966" border="0"  src="https://freight.cargo.site/w/1000/i/b59c0e890f2aef51d4ad69bbb6bf6458746d8f3ecee2dfbde4a6f961d3b5b71d/Denniston-Hill---Muddy-Waters---overview-2a.jpg" /&#62;


	The Laundromat Project is a New York City-based arts organization that brings socially relevant and socially engaged arts programming to laundromats and other everyday community spaces.

Denniston Hill is an&#38;nbsp;artist-centered interdisciplinary arts organization that fosters an inclusive, practical discourse about the aesthetics, function, ethics, and meaning of contemporary artistic practice.
Their work is guided by the principle that creative and critical voices are important in shaping a just, equitable society.
Both organizations are committed to providing much-needed time and space for artists to explore the making of art, justice, and community.



	&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/703875d85db3f909ae8c5059841ab436906348d3b68646199a17c947c125d6cc/Denniston-Hill---Muddy-Waters---overview-1a.jpg" data-mid="112400738" border="0"  src="https://freight.cargo.site/w/1000/i/703875d85db3f909ae8c5059841ab436906348d3b68646199a17c947c125d6cc/Denniston-Hill---Muddy-Waters---overview-1a.jpg" /&#62;


	
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c60cababdf39e4d7870fcbd9885643ee0619f0c99bf47c4228ea5a822a72cb18/Denniston-Hill---Muddy-Waters---brown-trajectories.jpg" data-mid="112206495" border="0"  src="https://freight.cargo.site/w/1000/i/c60cababdf39e4d7870fcbd9885643ee0619f0c99bf47c4228ea5a822a72cb18/Denniston-Hill---Muddy-Waters---brown-trajectories.jpg" /&#62;
&#60;img width="900" height="1440" width_o="900" height_o="1440" data-src="https://freight.cargo.site/t/original/i/01223f318fb28ad8dbd5e19b73bb2875c42b3ce9787348459e5e512dd107e7ef/Denniston-Hill---Muddy-Waters---floater.jpg" data-mid="112396425" border="0"  src="https://freight.cargo.site/w/900/i/01223f318fb28ad8dbd5e19b73bb2875c42b3ce9787348459e5e512dd107e7ef/Denniston-Hill---Muddy-Waters---floater.jpg" /&#62;
&#60;img width="1080" height="810" width_o="1080" height_o="810" data-src="https://freight.cargo.site/t/original/i/b5b941a16c7bf49fedc9a91668f83b7ebd2a55f821dcef70ba0a33585354d877/Denniston-Hill---Muddy-Waters---grass-geometries.jpg" data-mid="112206501" border="0"  src="https://freight.cargo.site/w/1000/i/b5b941a16c7bf49fedc9a91668f83b7ebd2a55f821dcef70ba0a33585354d877/Denniston-Hill---Muddy-Waters---grass-geometries.jpg" /&#62;



	&#60;img width="1204" height="899" width_o="1204" height_o="899" data-src="https://freight.cargo.site/t/original/i/ee7d02231eadb06e28b652d4a725a8d8fb354ddc5d3d6bea0365f65ad6e7190e/Denniston-Hill---Muddy-Waters---helecho.jpg" data-mid="112400887" border="0"  src="https://freight.cargo.site/w/1000/i/ee7d02231eadb06e28b652d4a725a8d8fb354ddc5d3d6bea0365f65ad6e7190e/Denniston-Hill---Muddy-Waters---helecho.jpg" /&#62;

	


	
	

	
	
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&#60;img width="600" height="450" width_o="600" height_o="450" data-src="https://freight.cargo.site/t/original/i/bd1ec85393f3cbd2d85df62557c410d11c6e3b7ab0d1b9aef66e010cefcb0996/Muddy-Waters-2c.jpg" data-mid="112206484" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/600/i/bd1ec85393f3cbd2d85df62557c410d11c6e3b7ab0d1b9aef66e010cefcb0996/Muddy-Waters-2c.jpg" /&#62;
&#60;img width="450" height="600" width_o="450" height_o="600" data-src="https://freight.cargo.site/t/original/i/c12c52c57bd897ac6686e53ba4ebb3843d5fc732322b78f33a9819cc4a95fb05/Muddy-Waters-5c.jpg" data-mid="112206487" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/450/i/c12c52c57bd897ac6686e53ba4ebb3843d5fc732322b78f33a9819cc4a95fb05/Muddy-Waters-5c.jpg" /&#62;
&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7a18e2cec8d6f3f3387d3eae37d76cd7b79ca5242a7a5256f2db8929a99da1fc/Denniston-Hill---Muddy-Waters---what-color-copy.jpg" data-mid="112396207" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/900/i/7a18e2cec8d6f3f3387d3eae37d76cd7b79ca5242a7a5256f2db8929a99da1fc/Denniston-Hill---Muddy-Waters---what-color-copy.jpg" /&#62;




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&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/dfdc820e1985a2908daf14265b38b062ee2c8a5b1086a80a97baa30c8cb2352c/DH010-web.jpeg" data-mid="112392053" border="0"  src="https://freight.cargo.site/w/900/i/dfdc820e1985a2908daf14265b38b062ee2c8a5b1086a80a97baa30c8cb2352c/DH010-web.jpeg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>A Mere Slant of His Body</title>
				
		<link>https://ivangaete.net/A-Mere-Slant-of-His-Body</link>

		<pubDate>Wed, 16 Jul 2025 11:38:35 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/A-Mere-Slant-of-His-Body</guid>

		<description>

	A mere slant of his body

2022



 This new body of work developed at El Sur, in Tlalplan, Mexico City, draws inspiration from the tradition of "Las Corridas" in Mexico. 
In this first iteration, the artist explores the tension that unfolds between the bull and the bullfighter. Death looms close, and both contenders' lives hinge on their movements. It is inevitable, and it will arrive within minutes. It's a bloody dance, where each movement carries the fates of both contenders. The extent of pain inflicted on the bull largely depends on the bullfighter's skill. The waving of the cape captures the bull's attention, igniting its primal desire to escape the arena in which it has been trapped.

The artist sees bullfighting as an allegory for the broader experience of life itself. The arena symbolizes the unyielding codes and structures of society, from which we often find ourselves unable to break free. In contrast, the billows and sways of the fluttering cape serve as a metaphor for the myriad distractions that entangle our minds. Meanwhile, the ruminant bull embodies the expansive grasslands —a poignant symbol of freedom and a grounded existence, evoking a longing for liberation amidst the chaos of life&#38;nbsp;

The work was produced during a six-week residence sponsored by Residency Unlimited.


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	El Sur is an artist-run residency program located in Tlalpan, 
Mexico City. The program includes exhibitions, open studios, and talks involving the local art scene and the public at large. The organization fosters inclusive exchanges that focus on practical discourse about aesthetics, function, ethics, and the meaning of contemporary artistic practice. El Sur's blend of creative space, cultural immersion, and professional support makes it an ideal space for artists seeking to deepen their practices.
RU&#38;nbsp;is a New York CityRU is a New York nonprofit arts organization located within the historic South Congregational Church in Carroll Gardens, Brooklyn. Residency Unlimited (RU) supports the creative process of US based and international artists and curators at all stages of their career through its unique, customized residencies and year-round public programs.



	&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/3699cf456167108f15cc3196fa287052f25a0e6edc0be2279713fddf0a2d991b/00.jpeg" data-mid="235868726" border="0"  src="https://freight.cargo.site/w/1000/i/3699cf456167108f15cc3196fa287052f25a0e6edc0be2279713fddf0a2d991b/00.jpeg" /&#62;&#60;img width="1440" height="1901" width_o="1440" height_o="1901" data-src="https://freight.cargo.site/t/original/i/9621258aa8630f790f1a748f26f631f01a62ff44629eb605793a750995972cc0/07.jpg" data-mid="235869537" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/9621258aa8630f790f1a748f26f631f01a62ff44629eb605793a750995972cc0/07.jpg" /&#62;


	


	

	


	
	

	
	



	
	



	
	

	





	


</description>
		
	</item>
		
		
	<item>
		<title>The Smell Goes</title>
				
		<link>https://ivangaete.net/The-Smell-Goes</link>

		<pubDate>Thu, 24 Jun 2021 02:59:13 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/The-Smell-Goes</guid>

		<description>


	The smell goes everywhere (*)
2019(*) Flores AccountPage 55, 56 — 17 year old girl from GUATEMALA, 6 month son, June 12, 2019“The bathrooms here are very dirty because there are so many people using them.&#38;nbsp; The toilets clog and cannot be used. And the smell goes everywhere, even to where
we are sleeping.”

As part of 
When We First Arrived curated by Ruth Noackorganized by DYKWTCA
January - July 2020The Corner at Whitman-WalkerWashington, DCWhen We First Arrived is a call to action and exhibition in solidarity with the detained and separated children at the US—Mexico Border.
DYKWTCA (Do You Know Where The Children Are), is an initiative by artists Mary Ellen Carroll and Lucas Michael, who invited artists to produce works with the Flores accounts that are part of the broader public awareness initiative, Project Amplify.


	&#60;img width="1200" height="891" width_o="1200" height_o="891" data-src="https://freight.cargo.site/t/original/i/d9314450de4a233a0ec99eaf3aeef61febdeceeae729316d29320dde1916ee10/The-Smell-Goes-02-landscape.jpeg" data-mid="112198739" border="0"  src="https://freight.cargo.site/w/1000/i/d9314450de4a233a0ec99eaf3aeef61febdeceeae729316d29320dde1916ee10/The-Smell-Goes-02-landscape.jpeg" /&#62;Written accounts from the immigrants detained in McAllen, Texas, are harsh testimonies. The story of a 17-year-old Guatemalan girl and her infant was particularly heartbreaking to me.The 6-month-old boy became seriously ill from exposure to the cold temperatures of their detainee prison. &#38;nbsp;To highlight the tremendous anguish that she and her infant child experienced in detention everyday, I presented their entire interview record but dis-ordered and cut her phrases and words, rearranging them in different layers of translucent vellum. Redacted portions remain to show what is omitted and/or lost in translation. Other filing marks make reference to the legal framework in which all of this was recorded.A single sentence is highlighted --- about the odor coming from clogged and filthy toilets. Imagine being imprisoned in a small cage, unable to escape an overpowering stench. I thought it was the perfect allegory to describe decaying judicial and political systems. 


	

&#60;img width="908" height="1200" width_o="908" height_o="1200" data-src="https://freight.cargo.site/t/original/i/24fe693dcb0b88dc672d6eead6932de5838b23e4b1f3b277a72b22d7da315799/The-Smell-Goes-04.jpeg" data-mid="112198572" border="0"  src="https://freight.cargo.site/w/908/i/24fe693dcb0b88dc672d6eead6932de5838b23e4b1f3b277a72b22d7da315799/The-Smell-Goes-04.jpeg" /&#62;
&#60;img width="903" height="1200" width_o="903" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d531482c3537fb7f23c5183c5a3db622880570c09238e4e9063e5aad8391fff0/The-Smell-Goes-03.jpeg" data-mid="112198571" border="0"  src="https://freight.cargo.site/w/903/i/d531482c3537fb7f23c5183c5a3db622880570c09238e4e9063e5aad8391fff0/The-Smell-Goes-03.jpeg" /&#62;
&#60;img width="950" height="1200" width_o="950" height_o="1200" data-src="https://freight.cargo.site/t/original/i/497fdc104a8b582da82f431a39ae9bce98aa84ad9e2498f4414b554b49a3817b/The-Smell-Goes-01.jpeg" data-mid="112198568" border="0"  src="https://freight.cargo.site/w/950/i/497fdc104a8b582da82f431a39ae9bce98aa84ad9e2498f4414b554b49a3817b/The-Smell-Goes-01.jpeg" /&#62;





	(*) Flores AccountPage 55, 56 — 17 year old girl from GUATEMALA, 6 month son, June 12, 2019

I, ________, was born on ____________. I am seventeen. My son, _____, was born on ____. He is six months old. We are from Guatemala. In Guatemala, I had lots of problems with my baby's father. He is an alcoholic, was very angry, and always would fight with me. When we would fight, I would cry, and my baby would get sick. I am all alone; my father is dead, and my mother married another person, so she cannot care for me. I couldn't stand that no one understands me and that my baby's father mistreats me. I worry for my baby, because I heard that the children of alcoholics die very young. So, I decided to leave. We came to the United States on June 2,2019. My baby and I crossed the river on a raft during the day. Fifteen minutes after we crossed, the police arrived in a truck. The police asked me where I was from, and I said, "Guatemala." They then took the clothes I was carrying and told me to climb into the truck. The police took me to a location where there were other people who had crossed the border. The Border Patrol recorded my personal information. At this location, the Border Patrol offered us water. However, there were not diapers for my baby at this location. Thirty minutes later, the Border Patrol brought my baby and me to Ursula in their patrol car. By now, it was night. We were not offered anything to eat or drink until the next morning. We were put in a cage with many other people, and we spent four nights there. For our first four nights at Ursula, we were given only two aluminum blankets but no mattress. I had to sleep on the floor with my baby. It was very cold, and my baby got sick from the cold. After four nights, the guards at Ursula put me and my son in a cell for minor children. There, we were given a mattress. The bathrooms here are very dirty because there are so many people using them. The toilets clog and cannot be used. And the smell goes everywhere, even to where we are sleeping. Since the time my baby and I arrived, I have been permitted to shower only once, five days after I have arrived. I haven't had a shower since then, and it has been six days. The soap in the showers is for hands and not for hair, so my hair is itchy and dirty. At night, our cell is very cold, and the lights are always left on. At least my baby sleeps, but I cannot. I noticed three days ago that my eyes have been affected by the lack of sleep. I can't see anything at a distance; everything looks fuzzy. I am having trouble with the food. We often receive tacos of tortilla, beans, and rice. But the rice is partially raw and not fully cooked. This has made the rice hard to digest and has made me sick to my stomach. We are given two bottles of water per meal. This water is clean because it is bottled. My baby is sick. He is coughing, he is congested, and he has diarrhea. I have asked for a doctor to see my baby. The doctor gave my baby medicine for his fever. The doctor said the baby has an ear infection and gave my baby antibiotics. But these antibiotics have also caused the baby to have diarrhea.I want to go to live with my aunt, my mother's sister, who is New York City. I called her when I arrived at Ursula. She told me that I could come to her. I have not been told about the Flores agreement or our rights. I have asked how I could leave from here, but the guards say that they do not know.

	&#60;img width="926" height="1200" width_o="926" height_o="1200" data-src="https://freight.cargo.site/t/original/i/60072f16ff5e04c7b2c81d5f651f3a409a7ebe8377f5c71747127d37a41c99b2/The-Smell-Goes-00.jpeg" data-mid="112198573" border="0"  src="https://freight.cargo.site/w/926/i/60072f16ff5e04c7b2c81d5f651f3a409a7ebe8377f5c71747127d37a41c99b2/The-Smell-Goes-00.jpeg" /&#62;



	
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&#60;img width="1192" height="1684" width_o="1192" height_o="1684" data-src="https://freight.cargo.site/t/original/i/2533fa9611166431af6e314df12d0d5ae0dba1cb9c1eef7b4d88c4c7c859d5ff/Project-Amplify-Combined-Flores-Declarations-2019-smaller-dragged-p15.jpg" data-mid="112198567" border="0"  src="https://freight.cargo.site/w/1000/i/2533fa9611166431af6e314df12d0d5ae0dba1cb9c1eef7b4d88c4c7c859d5ff/Project-Amplify-Combined-Flores-Declarations-2019-smaller-dragged-p15.jpg" /&#62;


	
	
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	<item>
		<title>Double-Entry</title>
				
		<link>https://ivangaete.net/Double-Entry</link>

		<pubDate>Tue, 08 Jun 2021 06:07:56 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/Double-Entry</guid>

		<description>


	
Double-Entry 1904 (mallas)
2018City Lights GalleryBridgeport, ConnecticutSeptember to October, 2019The title of the piece makes reference to accounting systems. The grid is made from paper receipts collected over time and sewn together.&#38;nbsp; The work is installed on a folded position with one grid hanging on top of the other.

	&#60;img width="1184" height="1500" width_o="1184" height_o="1500" data-src="https://freight.cargo.site/t/original/i/31ffa155ea0dd65f8e9038ededa39d77f4b14f63838eb893fdd0fd7a42a1cf46/Double-Entry-1.JPG" data-mid="111188358" border="0"  src="https://freight.cargo.site/w/1000/i/31ffa155ea0dd65f8e9038ededa39d77f4b14f63838eb893fdd0fd7a42a1cf46/Double-Entry-1.JPG" /&#62;Paper receipts, thread &#38;amp; grommets29 x 41 (width x length)




	
	
	&#60;img width="943" height="1500" width_o="943" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b0ac9b97e9658cb2230e30c249c485567ebd642a6998eb93dbafbf06b9b74637/Double-Entry-2.jpeg" data-mid="111188573" border="0"  src="https://freight.cargo.site/w/943/i/b0ac9b97e9658cb2230e30c249c485567ebd642a6998eb93dbafbf06b9b74637/Double-Entry-2.jpeg" /&#62;
	&#60;img width="941" height="1500" width_o="941" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d3d8d46b2730520e6c71ebc8d762e6a8f19764e422ba8bd12e0d810d1d4d57f3/Double-Entry-3.jpeg" data-mid="111188453" border="0"  src="https://freight.cargo.site/w/941/i/d3d8d46b2730520e6c71ebc8d762e6a8f19764e422ba8bd12e0d810d1d4d57f3/Double-Entry-3.jpeg" /&#62;

	
	
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	&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3164915f66ff1dc0196ff33cb2f910c8c962c24d182bfdff1571c2b57b70922a/Double-Entry-6.jpeg" data-mid="111188456" border="0"  src="https://freight.cargo.site/w/1000/i/3164915f66ff1dc0196ff33cb2f910c8c962c24d182bfdff1571c2b57b70922a/Double-Entry-6.jpeg" /&#62;

	&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/ec54c7483576ea75ae6475a11e75efb78f9f7c7e616005dabeb2e5ba4f0ebdc7/Double-Entry-8.jpeg" data-mid="111188458" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ec54c7483576ea75ae6475a11e75efb78f9f7c7e616005dabeb2e5ba4f0ebdc7/Double-Entry-8.jpeg" /&#62;
	&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/411f58b7aaea6ddee7d5f43941529461939b4dc56fd2441ab41d9946bcd6afb4/Double-Entry-7.jpeg" data-mid="111188457" border="0"  src="https://freight.cargo.site/w/1000/i/411f58b7aaea6ddee7d5f43941529461939b4dc56fd2441ab41d9946bcd6afb4/Double-Entry-7.jpeg" /&#62;
	
	
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	<item>
		<title>Pájaros</title>
				
		<link>https://ivangaete.net/Pajaros</link>

		<pubDate>Sun, 13 Jun 2021 04:20:01 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/Pajaros</guid>

		<description>


	Pájaros2018
Artists Alliance Lower East Side, New York

	&#60;img width="700" height="933" width_o="700" height_o="933" data-src="https://freight.cargo.site/t/original/i/a87c7389835ef6cf64bd92adfd72a606ec88f84733f7ff9ab6bb07d20be4f628/Habitantes-06.JPG" data-mid="111197137" border="0"  src="https://freight.cargo.site/w/700/i/a87c7389835ef6cf64bd92adfd72a606ec88f84733f7ff9ab6bb07d20be4f628/Habitantes-06.JPG" /&#62;
	&#60;img width="700" height="933" width_o="700" height_o="933" data-src="https://freight.cargo.site/t/original/i/ab18165406a74d28d38be6a0537bef33bd797d3d353282558e661ecdc48a3d78/Habitantes-08.JPG" data-mid="111197136" border="0"  src="https://freight.cargo.site/w/700/i/ab18165406a74d28d38be6a0537bef33bd797d3d353282558e661ecdc48a3d78/Habitantes-08.JPG" /&#62;
	



	&#60;img width="1999" height="2000" width_o="1999" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0719bdb2f1cc938667b24f3c8f5daf14f8b9b59c872ebe45c6d4fb40b5585072/Habitantes-1.jpg" data-mid="111197134" border="0"  src="https://freight.cargo.site/w/1000/i/0719bdb2f1cc938667b24f3c8f5daf14f8b9b59c872ebe45c6d4fb40b5585072/Habitantes-1.jpg" /&#62;
	&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2684874b136977f0fecd9adf748b348a3b1aa715c81202c49896f5bd2dc4f8e8/Habitantes-2.jpg" data-mid="111197135" border="0"  src="https://freight.cargo.site/w/1000/i/2684874b136977f0fecd9adf748b348a3b1aa715c81202c49896f5bd2dc4f8e8/Habitantes-2.jpg" /&#62;
</description>
		
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	<item>
		<title>By The River</title>
				
		<link>https://ivangaete.net/By-The-River</link>

		<pubDate>Thu, 24 Jun 2021 16:45:03 +0000</pubDate>

		<dc:creator>Iván Gaete</dc:creator>

		<guid isPermaLink="true">https://ivangaete.net/By-The-River</guid>

		<description>



	By The River (Angel Falls)
2017
Bronx Museum, New YorkThe Fourth AIM BiennialJuly - October 2017Part self-portrait, part journal, this soft sculpture was made from traditional paper receipts saved over time. The receipts were sewn together in one continuous line that twists and turns giving the work its fluid shape. 
Conceived as a drawing, the analogue and material nature of the work speaks about financial data and its cumulative weight. 
Gravity plays an important role as the work hangs from a single hook that holds the piece together from its head.
 
The title of the piece is taken from one of the chapters of “Siddhartha” by Herman Hesse.&#38;nbsp;The subtitle pays homage to the world's highest uninterrupted waterfall.

	
&#60;img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b40da53e1c4081d94577a64c387d8c4985d7bd1995d3bc52ed70fab03d5af478/By-the-River-web.jpeg" data-mid="112250616" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b40da53e1c4081d94577a64c387d8c4985d7bd1995d3bc52ed70fab03d5af478/By-the-River-web.jpeg" /&#62;

	
	&#60;img width="877" height="1200" width_o="877" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1a8502699407d4d25d369399fc4aeb9d7321cfce02a0f38dc0a927ecc898c22f/By-the-River-detail-3-web.JPG" data-mid="112252274" border="0"  src="https://freight.cargo.site/w/877/i/1a8502699407d4d25d369399fc4aeb9d7321cfce02a0f38dc0a927ecc898c22f/By-the-River-detail-3-web.JPG" /&#62;
	&#60;img width="654" height="960" width_o="654" height_o="960" data-src="https://freight.cargo.site/t/original/i/b8faa3ffebc48dfdde4713e042765dbef42aa49b4c26fca301a3be178947a108/By-the-River-detail-5-web.JPG" data-mid="112252276" border="0" data-scale="93" src="https://freight.cargo.site/w/654/i/b8faa3ffebc48dfdde4713e042765dbef42aa49b4c26fca301a3be178947a108/By-the-River-detail-5-web.JPG" /&#62;
	&#60;img width="960" height="630" width_o="960" height_o="630" data-src="https://freight.cargo.site/t/original/i/d5c699e6b3a538094c957af441b1decfcf092fd05c841c0f5b300629dc340ae4/By-the-River-detail-4-web.JPG" data-mid="112252275" border="0"  src="https://freight.cargo.site/w/960/i/d5c699e6b3a538094c957af441b1decfcf092fd05c841c0f5b300629dc340ae4/By-the-River-detail-4-web.JPG" /&#62;
	


	
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	&#60;img width="694" height="960" width_o="694" height_o="960" data-src="https://freight.cargo.site/t/original/i/5dae3a732bfeea653cafe7c0a9a63e1fba04e8ccf6885d1d06308b5297f4c72b/By-the-River-detail-6-web.JPG" data-mid="112252277" border="0" data-scale="96" src="https://freight.cargo.site/w/694/i/5dae3a732bfeea653cafe7c0a9a63e1fba04e8ccf6885d1d06308b5297f4c72b/By-the-River-detail-6-web.JPG" /&#62;
	&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b26ff9d52e8b853ffdb61bf9d46c9d4ae04c8da5a76edfc65f503738945623a2/By-the-River-detail-2-web.JPG" data-mid="112250620" border="0"  src="https://freight.cargo.site/w/900/i/b26ff9d52e8b853ffdb61bf9d46c9d4ae04c8da5a76edfc65f503738945623a2/By-the-River-detail-2-web.JPG" /&#62;

	
	
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